…that one day I would have a continuous version of the 15-Min ATR.

for(i=lookback; i>=0; i--){
weight_[i]=weight_[i+1];
if (ChoppinessIndex(12*4,i)>53 && ChoppinessIndex(12*4,i+1)<53) weight_[i]=(iHigh(symbol,15,i)+iLow(symbol,15,i))/2;
if (weight_[i]!=EMPTY_VALUE && weight_[i]==weight_[i+1] && weight_[i]==weight_[i+2] && weight_[i]==weight_[i+3] && weight_[i]==weight_[i+4] && weight_[i]==weight_[i+5] && weight_[i]==weight_[i+6] && weight_[i]==weight_[i+7]) NBEU[i]=weight_[i]+360*Point;
if (weight_[i]!=EMPTY_VALUE && weight_[i]==weight_[i+1] && weight_[i]==weight_[i+2] && weight_[i]==weight_[i+3] && weight_[i]==weight_[i+4] && weight_[i]==weight_[i+5] && weight_[i]==weight_[i+6] && weight_[i]==weight_[i+7]) NBED[i]=weight_[i]-360*Point;
}
What is new here is not paying an attention to a weight change until it persists for 8* 15 minutes. For instance look at the last impulse move sandwiching itself through a window of opportunity. Neat. Them cyan lines are the perfect get out levels in the wrong direction.
…
The rest of this blog would be spent on some Hungarian cartoons, since I found some material.
Csaba Varga’s animation above.
After returning from Sweden I worked temporarily at the cartoon studio wearing his name. He himself was working on a stop motion at the time called Don Quixote with my room mate.
I was never part of the inner clique, and my name was not even mentioned on half of the Kipper cartoons I put together as a camera man. Not that the name itself meant too much after having been disowned by my father at the age of 17. I did not want to see it either.
Some examples of Hungarian made cartoons:
